CRUCIFIXION

 

• This 15th-century artwork is "The Crucifixion of the Parlement of Paris" by the Master of Dreux Budé.
• The painting was commissioned for the Parlement of Paris and now resides in the Louvre Museum.
• It is a significant example of French Gothic painting, created between 1449 and 1453.
• The composition shows a unified landscape across a triptych-like frame, featuring Christ on the Cross surrounded by various holy figures and saints
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• This image is a detailed view of the 12th-century apse mosaic found in the Basilica of San Clemente in Rome.
• It depicts the Crucifixion of Christ positioned within a luxuriant, scrolling vine that symbolizes the "Tree of Life".
• The figures of Mary and John the Evangelist stand at the foot of the cross, which is decorated with numerous white doves

• This painting is The Crucifixion with the Virgin, Saint John the Baptist, Saint John the Evangelist and Saint Francis, created by Paolo Uccello around 1457-1458.
• It is a tempera on panel work currently housed in the Museo Thyssen-Bornemisza in Madrid.
• The composition is noted for its rigorous symmetry and the use of elongated figures set against an arid, natural landscape

• This fresco, titled The Crucifixion, was created by the Italian painter Giotto di Bondone between approximately 1308 and 1310.
• It is located within the Lower Church of the Basilica of St. Francis of Assisi in Assisi, Italy.
• The artwork features a central scene of the Crucifixion surrounded by angels, with a depiction of the fainting Virgin Mary below.

This artwork is a painting titled Crucifixion created around 1430 by the German artist Hans von Tübingen. 

• Subject Matter: The painting depicts the crucifixion of Jesus Christ flanked by two thieves, with a gold leaf background typical of the era. 
• Symbolism: The thief on Jesus's right (left side of the painting) is shown as penitent, while the thief on his left is shown as impenitent, with a small devil figure depicted above him. 
• Style and Context: It is an example of German Gothic painting, likely produced for a devotional purpose, possibly part of a larger altarpiece

This artwork is the Crucifixion Triptych by Flemish artist Rogier van der Weyden, painted around 1443–1445.

The central panel depicts the crucifixion of Jesus Christ, with the Virgin Mary at the foot of the cross and Saint John the Evangelist beside her.

The left panel shows Mary Magdalene, while the right panel features Saint Veronica holding an image of Christ.

The original painting is currently housed in the Kunsthistorisches Museum in Vienna, Austria

• This painting, titled Crucifixion, was created by the German artist Hans von Tübingen around 1430. 
• It depicts the crucifixion of Jesus Christ alongside the two thieves, traditionally named Dismas (the penitent thief) and Gestas (the impenitent thief). 
• The work is characterized by intricate details and vivid colors, often printed on canvas for home decoration. 
• This specific artwork is part of the public domain, with faithful reproductions available through digital collections like Wikimedia Commons

• This illuminated manuscript page features a detailed scene of the Crucifixion set within a vibrant, floriated border.
• The miniature depicts Christ on the cross surrounded by figures including the Virgin Mary and soldiers in armor.
• It is a reproduction of a late 15th or early 16th-century missal or Book of Hours, possibly from Germany or France

• This artwork is "The Crucifixion," a circular painting created around 1473-1474 by Italian Early Renaissance painter Francesco del Cossa. 
• It was originally part of a larger, disassembled polyptych commissioned for the Griffoni altar in the Basilica of San Petronio in Bologna. 

• The painting features Christ on the cross flanked by the Virgin Mary and Saint John, set against a stark, light-colored background. 
• It is currently housed in the National Gallery of Art in Washington,

• This artwork is titled Salvator Mundi (Christ Blessing), attributed to the studio of the Netherlandish painter Quinten Massys.
• Painted in oil on panel during the 1520s, it depicts Jesus Christ holding a globus cruciger (orb and cross), symbolizing his role as the Savior of the World.
• The painting is part of the collection at the Grosvenor Museum in Chester, England

The work is perhaps the "altarpiece [with] Our Lord's sepulchre [...] and other five figures" which appear in the inventory made in 1492 at the death of Lorenzo de' Medici, and which decorated his Villa at Careggi since as early as 1482. The panel was thus one of the works commissioned by the Medici to van der Weyden, including the Medici Madonna now at Städel of Frankfurt, which has been also assigned to the artist's trip to Italy in 1450. Another hypothesis is that the panel was part of a lost triptych painted for Lionello d'Este of Ferrara, and mentioned in 1449, or that it was the painting described by Giorgio Vasari as Hans Memling's.